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10 North
The festival acknowledges the symbolic relationship of its health and the robustness of the regional artists it supports. 10 Yukon film artists were each given a word to start and end their film on. They were then linked in "exquisite cadaver" fashion into a single unified piece. 10NORTH. The participating filmmakers are: Dennis Allen, Marten Berkman, Andrew Connors, Duane Gastant Aucoin, Daniel Janke, Lulu Keating, Celia McBride, Troy Suzuki, Veronica Verkley and Werner Walcher. Produced by Dan Sokolowski with assistance from David Curtis and Evelyn Polock. Adrenaline Bach
Alaska Robotics Vol 1
• Socks • Town vs Valley • Nyac • flexBot • Chuck Keen • Natural Selection • Safety Ladder • A Reason to Get Out • Lamprey • Snarfl'xxing with Humons • "Gage's Rage • Catfish Man - Editor's Cut • A House Fit for a King • Shocking Monster • The Green Room All We Like Sheep
Artifacts
Brain Clever
In Brain Clever, instructions come to life. The film creates a land of extremes, in which Industrial Man travels from winter to meet Environment Woman in the glory of summer. The two opposites collide in a perfect union, brought together by the innocent Hand-Pressing Flashlight. Cascade de lumière / Cascade of Light
CBQM
Cleo et Celine
Cold on Cold
Dawson Town Melted Down
Why did you move to Dawson City Yukon, wherever the hell that is? Length: 6:10 Copyright Red Snapper Films Limited, 2007 A film by Lulu Keating Box 825, Dawson City Yukon Y0B 2Y4 867-993-4467 lulu@redsnapperfilms.ca Deco Dawson: 7 Short Films, Vol. 1 1998-2003
Degrees North
A feature documentary shot south to north across the latitudes of Canada. Beginning at Pelee Island (42 degrees north) and finishing at the Arctic Circle (66 degrees north), DEGREES NORTH is a journey of discovery, space, and time. Using light, colour and composition, DEGREES NORTH is an alchemistic blend of live action landscape photography, animation, and music. Filmed on 10 individual trips covering over 50,000 kilometers. Initial shoot, August 1997, Badlands, Alberta Final shoot, December 2011, Dawson City, Yukon Filmed entirely in 16mm Dog = God
Directed with Karen Hines A girl loves dogs. She wants to be one. Shot on location in Dawson City and on Manitoulin Island, Canada, DOG=GOD is an experimental, musical, ecstatic ode to dogs and those who both master and worship them. Filmed on Super-8, Dog=God began as an experiment in creative geography. Then, with the yearning melodies of acclaimed Yukon singer/songwriter Kim Beggs laced in, the haunting feeling snaked itself across five provinces and sewed the seams of this gossamer meditation. A different take on what might constitute a girl’s best friend… Dog Gone Addiction
Dog Gone Addiction follows three women, Michelle Phillips, a young Canadian mother; Agata Franczak, a 48-year-old Polish adventurer; and Kelley Griffin, an Alaskan mushing veteran, as they test their limits driving their dog teams through record cold temperatures. Amid mental exhaustion in the 1,000 mile Yukon Quest sled dog race, which runs from Whitehorse, Yukon Territory to Fairbanks Alaska, the film shows the women’s struggles to overcome -60 degree Celsius temperatures, exhaustion, sick dogs, icy mountain passes, and the remote wilderness of the Yukon and Alaska to achieve their goals of not simply finishing, but competitively racing the toughest sled dog race on earth. Included in the DVD are 55 minutes of extra features, commentary from racing legend and four-time Yukon Quest Champion Hans Gatt, and captivating footage showing all the characters which make up the Yukon Quest race. “I have no doubt that if people want to feel the real power of the Yukon Quest International Sled Dog Race they will be enthralled with this film.” – Aliy Zirkle, Yukon Quest Dugout
Team Members: Allan Code, Robyn Armour 19 young people, on an island cut off from the grid; must transform a huge cedar log into a graceful Tlingit sea-going dugout canoe; of an ancient design; with ancient methods: adzes, rocks and steam. In the process they will build a model community, unite the support of a larger community; and ultimately transform themselves. DVDs for personal use may be obtained through NCES. Institutional Distribution via McNabb-Connolly; Broadcast of this full-HD feature film may be arranged through Nah Ho Productions Inc The Elvis Project - A Yukon road documentary
Facing FASD
First Shots Training Program - 2 disc set
Fitness and the Father
Five Yukon Shorts - 2006
The Flowing Generations
Forever Independent
Fragments
Getting Real: Preventiaon of Violence Against Women in Yukon
Here Are the News
Homecoming Son: The Sotory of Two Men Who Came Home
How People Got Fire
The Hunt and the Walk
Imprints of Our Ancestors
The Last Voyage of the S.S. Keno
By 1960 a bridge had been built across the Yukon River at Carmacks. The Keno was too high to sail under the bridge. So the pilot house was taken off and the smoke stack was laid on the Texas deck. Even with these modifications, the Keno cleared the Carmacks bridge by just 18 inches. The Captain on that trip was Frank Blakely, a BC riverboat man, making his first trip on the Yukon River. Frank Slim was the pilot and Henry Breaden was the first mate. Terry Delaney and Ed Kerry of CBC Whitehorse were along to cover highlights of the journey. Left Hand Path
Little John Country
Aboriginal past and present come together when the 10-year-old grandson of an aboriginal man named “Little John” hits 14,000-year-old paydirt. Such a thing could only happen because of a close relationship that has developed since 1992 between the aboriginal community and a devoted archaeologist-anthropologist. This relationship literally unearthed the oldest human artifact in Canadian history, and continues to bring benefits to both science and the aboriginal culture –- and to the individuals involved. In “Little John Country” we learn about the man known as Little John, aka “White River Johnny,” his son David Johnny of the White River First Nation, David's son Eldred, who discovered the artifact, and anthropologist-archaeologist Norman Alexander Easton of Yukon College, along with other family and community members and student fieldworkers. We are also introduced to the archaeological site given Little John's name in his honour. The site is used today just like it has been for many thousands of years as a place to fish, hunt and collect other bounty of the land. Only now there is a scientific harvest too. Live From Moccasin Square Gardens: The Dawson City Nuggets' Hockey Adventure
Lone Woolf
Dogrib Birch Bark Canoe 28 minutes & Sila Alangotok: The Weather is Changing - Inuit Observations on Climate Change 42 minutes The Lottery Ticket
The Moody Brood
Naha Dehé
NEDAA - The Gravel Magnet
1988 Producer: Barb Bardie Copyright 2007 Northern Native Broadcasting Yukon (867) 668-6629 Never Happen Here
Northern Town
Northern Town
Oil Monster from the Deep
Our Changing Homelands, Our Changing Lives
Painting Red Square
PAINTING RED SQUARE 1. Painting Red Square (the documentary short) - 5:10 2. The Bit About Rick Mercer - 1:23 3. The Thing in the Middle - 0:41 4. About the Real Red Square - 1:21 5. The Muslim World, Spirituality and the Colour of Red - 2:18 6. Labour Leaders and Yukon Premiers - 1:21 7. "It doesn't take much to paint a square" - 5:09 8. Celebration of the World Premiere at Bombay Peggy's - 2:55 Copyright 2009 Max Fraser Video Productions Picturing a People
The images he recorded—of special moments and everyday occasions—became a beacon to the young and a testament to the golden times of the Tlingit people. Johnston's photos lovingly portray a sense of history and a zest for life. His work as a photographer in the period from 1920 to 1945 has long been recognized in the Native community, predating a generation of Indian and Inuit photographers. Today, as his photographs gain international recognition, the National Film Board of Canada has released a documentary directed by Carol Geddes, a clan relative of Johnston's. Picturing a People: George Johnston, Tlingit Photographer is a unique portrait of a man who was himself a creator of portraits and a keeper of his culture. Johnston cared deeply about the traditions of the Tlingit people, and he recorded a critical period in the history of the Tlingit nation. As Geddes says, his legacy was "to help us dream the future as much as to remember the past." Picturing a People: George Johnston Tlingit Photographer
Johnston's photos lovingly portray a sense of history and a zest for life. His work as a photographer in the period from 1920-45, when few Indian people spoke English, has long been recognized in the Native community. Johnston's work predates a generation of Indian and Inuit photographers. Today Teslin has a museum in his name, the Yukon archives are custodians of his work, and his Tlingit relative, Carol Geddes, is directing a documentary film about his life and work. Combining archival photography, dramatic reenactment and the pictorial work of Johnston himself, the film not only examines Johnston's vision but also documents life in the Yukon in the inter-warperiod. Johnston's passion for traditional Tlingit culture, his sensitivity and artistic sense of the beauty of the North are captured in the grain of each black and white photograph he took. We see him hunting, and visit his cabin darkroom while the voices of his contemporaries tell the story of this historically important Tlingit man. Today Johnston's work is at last receiving the recognition it deserves. His photos were included in Visions (1985), a review of Indian and Inuit photography, and also as part of the De Mémoire exhibition during Montréal's Le Mois de la Photo 1991. His works are also part of the 1994 From Icebergs to Iced Tea exhibition, currently slated for installation in Ottawa. The film PICTURING A PEOPLE : George Johnston, Tlingit Photographer is an engaging portrait of an extraordinary man and the evocative photos he took documenting a fascinating part of Canadian history. Picturing the Yukon
The Provider
River
River of Life
This is the Yukon River Quest, the world's longest annual canoe and kayak race. From around the world, athletes come to test their endurance, racing day and night along 740 kilometres of rugged river shoreline. River of Life chronicles the experiences of one group of racers, the determined women who make up the 2006 Paddlers Abreast team. Candid and revealing, this beautifully-realized documentary follows the women from the moment they climb into their boat in Whitehorse to the cheers that greet them in Dawson City. Set against the stunning backdrop of Canada's north, this film combines lively footage of the race with touching and humorous interviews with the women, their families, and other paddlers. Some members of Paddlers Abreast have been in remission for years, one was diagnosed as recently as the year before. Their diverse stories unfold in intimate conversation as they reveal their indomitable will to live and the reasons for pushing themselves to new limits by paddling competitively. Stroke by stroke, they forge on; everyone moving fluidly, part of the river and its surroundings. As the documentary follows the arduous physical and emotional journey of the team made up of breast cancer survivors in its struggle towards the finish, what emerges most clearly is the incredible strength and spirit resonating from the boat. River of Life is an exhilarating story of a group of women who have faced death and understand how precious life is. By taking on the Yukon River Quest, they illustrate what it means to be fully alive. Robert's Float or How To Ride The Yukon River By Raft
Shipyards Lament
The Slasher’s Ring
smallfilm
SOK CINEMA
Team Bones
Tending Toward Silence
Three Rivers: Wild Waters, Sacred Places
Where There's Smoke
Yukon Arctic Ultra
Yukon Quest: 1000 Mile International Sled Dog Race
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