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Itâs a scenario familiar to Canadians: oppressed indigenous people fighting to rebuild and assert their rights. On this occasion, the setting is New Zealandâs Te Urewera forest region. The people in this documentary are the TÅ«hoe Maori. For the past 150 years, the relationship between the TÅ«hoe Maori tribe and the New Zealand government has been defined by longstanding grievances over severe colonization experiences such as illegal land confiscations and the devastating consequences of scorched earth policies. This beautifully filmed documentary uses formal observation to capture a period of change and tremendous foresight: TÅ«hoe are negotiating an apology and settlement from the Crown, and constructing an architectural gem of a community centre using radically sustainable methods. The planning and construction of the cultural centre building - the first "living building" in New Zealand - is the binding character and watching its creation immerses us in a culture that is tightly woven into its land and an architecture that is defined by its integrity to it. "Ever the Land has been made with finesse, sensitivity and clear eyes. Breathtaking mountain vistas, beautiful tribal ceremonies and the modern struggle of politics: all this and more are explored, making for an education as well as a feast for the eyes. Itâs heartening to see the determination of the Tuhoe people and, as is the case in so many of the best documentaries, we get to inhabit a special world. Emerging from this movie, weâre a little better for having known a new place, met a new people and seen one of those all-too-rare victories for justice. Thereâs a lot of folk wisdom to be gleaned, including the advice to âlook back to the past and close it; look forward to the future and open it.â This is a film about past and future, tradition and modernity. Most of all, though, itâs about the grandest hopesâand what it takes to fulfill them." - Vancouver International Film Festival âArchitect Ivan Mercep famously arrived to pitch for Te Wharehou o TÅ«hoe equipped with a blank sheet of paper, and was given the job. Perhaps the same tabula rasa principle applied when TÅ«hoe and Mercep granted relative outsiders⦠extensive access to hui, meetings and the building site over two years to make a documentary about the planning and construction of the building.ââNew Zealand Intâl Film Festival Tickets Available at Kwanlin Dun Cultural Centre (1171 Front St.) or by phone 456-5322 $10 for YFS Members and KDFN citizens, $12 regular