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Sarah Polley's voyage into the world of documentary is a personal essay on the intractable subjects of truth and memory. Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Using a combination of archival footage, still photos and testimonials in a captivating visual assemblage, Polley examines the disagreements and varying narratives of a single family as they look back on decades-old events that impacted Polleyâs own understanding of the circumstances of her birth. One of Canadaâs Top Ten films as chosen by a panel assembled by TIFF. âIâm happily going out on a limb to predict Sarah Polleyâs astonishing new film will not only land an Oscar nomination for Best Documentary Feature, but also one for Best Picture. Yes, itâs that good. I write this fully knowing that no doc has ever been nominated for the Academyâs top prize, but then Stories We Tell makes âdocumentaryâ seem the most limiting of labels. Polleyâs brave quest to uncover her familyâs deepest secrets unfolds like a thriller, one where the resolution is literally part of her DNA. Itâs an intimate film of truth, memory and reconciliation, not just for Polley and her family but also for astonished viewers. Polley isnât just a Canadian talent, sheâs a Canadian treasure.â â Peter Howell, Toronto Star